Studio C
EQUIPMENT
(Quantity of each type in brackets)
( * ) indicates Vacuum Tube equipment
CONSOLE
SEAR-AVALON Custom Console
60x24x2 6 sends
Avalon Class A M3 Mic Pres & E3 EQ
Flying Faders Automation System
ANALOG RECORDERS
Studer A-827 24 /16 track 2″
Ampex ATR 102 2 track 1/2″ – Custom
Studer C37 – 2 track 1/2″ Custom 15/30 IPS *
Studer C37 – 2 track 1″ Custom 15/30 IPS *
Studer B67 – 2 track 1/4″
DIGITAL RECORDERS
Avid Pro Tools HDX – 56 I/O
2XLynx Aurora(n)
Alesis Masterlink
Panasonic SV3800 DAT
DIGITAL METER
Mytek DDD 603
SPEAKERS
Active Custom 3-way with TAD & JBL components
Genelec 1031A
Yamaha NS10
Urei 811 (studio monitors)
JBL “Voice of the Theater” (mono studio monitor)
PRE-AMP / AMPLIFIERS
API 3124 Quad Mic Pre DI
Pultec MB-1 (2) *
Tubetech MP1a *
Crown Reference 100
Heathkit W-5M *
McIntosh 2100
McIntosh 2200
McIntosh MI-75 (2) *
LIMITERS / COMPRESSORS / GATES
API 2500 Buss Compressor
CBS Audimax III (floating)
DBX 160
DBX 160x (2)
Drawmer DS 201 Dual Gate
Fine/Pultec Custom Limiter (2) *
Joemeek Stereo Compressor
Prism precision stereo Compressor MLA-2
Rane DC-24
Teletronics LA-2A (2) *
Tubetech CL 1B *
Tubetech LCA 2B *
Universal Audio 2-1176
UREI LA-3A (2)
UREI LA-4A (2)
EQUALIZERS
API 560B (4) (floating)
Krohn-Hite 310C BandPass Filter *
Magnatech MTE-27 *
Magnatech Type 38 HP-LP Filter
Manley Massive Passive *(floating)
Pultec EQP-1A *
Pultec HLF -3C
Pultec MEQ-5 (2) *
ECHOES / DELAYS
AKG BX-20 Stereo Spring Rev.
Audio Digital TC2 (2)
EMT 140Q Quadraphonic Echo Plates * (2)
Eventide H3000SE
Hammond Tone Cabinet Spring Reverb *
Lexicon PCM 41
Lexicon 224x
TC Electronics Finalizer
Yamaha REV-7
NOISE REDUCTION
Dolby SR 2-track
CUE SYSTEM
Mytek Private Q – 8 Mono, 2 Stereo