EQUIPMENT

(Quantity of each type in brackets)
( * ) indicates Vacuum Tube equipment

 

CONSOLE
Neve 8038 Custom Console
32x16x24 (with direct outs)
4 band EQ, 8 sends, 8 returns
Neve Flying Faders Automation – 40 Channel, 2 Stereo

 

ANALOG RECORDERS
Ampex ATR 102 2 track 1/2″ – Custom
Studer A-80 2 track 1/4″
Studer A-827 24/16 track 2″

 

DIGITAL RECORDERS
Avid Pro Tools HDX 48 I/O
2x Lynx Aurora(n)
 

SPEAKERS
Auratones w/ MonoTube Amp
Genelec 1031A
UREI 811 (Studio Monitors)
UREI 813 (White Equalizers)
Yamaha NS10M

 

PRE-AMP / AMPLIFIERS
Pultec MB-1 Microphone Pre-Amps (6) *
Nat Priest Direct Box *
Studer D19 Mic Pre D/A / A/D *
McIntosh 2100
McIntosh 2500

 

LIMITERS / COMPRESSORS / GATES
API 2500 Stereo Bus Compressor
CBS Audimax III (floating)
Drawmer DS 201 Dual Gate
DBX 160A (2)
DBX 160X
Empirical Labs Distressor EL8-X
Fairchild 660 (2) *
Fairchild 670 Stereo *
Fine/Pultec Custom Limiter (2) *
JBL/URIE 7110
Manley Variable Mu Stereo Compressor *(floating)
Neve 2254/E Stereo (2)
Neve 33609 Stereo
RCA BA-6B Compressor *
Teletronics LA-2A (2) *
Tube Tech CL 1B*
Tube Tech LCA 2B Compressor Stereo *

UREI 1176 Rev. B

UREI 1176 LN
U.S. Army Federal Compressor *

Valley Audio Dynamite (2)
Valley People Gatex

 

EQUALIZERS
API 560 B Graphic EQ (4) (floating)
Cinema Engineering 4031-B Modified Active Filter *
Krohn-Hite 310C Band Pass Filter *
MagnaTech MTE 27 (2) *
Manley Massive Passive *(floating)
Pultec EQP-1 *
Pultec EQP-1A *
Pultec EQH-2 (2) *
Pultec MEQ-5 *

 

ECHOES / DELAYS
AKG BX-20 Stereo
EMT 140S Stereo Plate *
Eventide H3500 w/Sampling Bd.
Eventide H9000 (floating)
Lexicon PCM-42
Lexicon PCM-80
Marshall AR-300

 

NOISE REDUCTION
Dolby Cat. 360 “A” 2-Track
Dolby Cat. 363 “SR” 2-Track

 

SYNCHRONIZERS
MicroLynx
Linx

 

CUE SYSTEM
Mytek Private Q – 8 Mono, 2 Stereo